When we move our wall back and forth, we create very strong wing tip vortices that persist for quite a long time.
Above, you see the vortex, lit by a laser sheet close to the surface. You can see the whole column rotating as one, that bright smudge below the swirl is the lower part of the column. There are so many of our neutrally buoyant particles in there that the column looks bright even though it isn’t directly lit by the laser.
And in the picture above, you see those bright smudges on the left of the picture? That’s particles that the vortex hoovered up and then dumped in its path, pretty much like a hurricane would.
Different types of experiments, and why we use such a weirdly-shaped “Antarctica” and are happy with it.
When we want to show people images of our model experiments in a tank, people often imagine that they will be shown cute little miniature landscapes, looking much like the ones you see for really fancy model train setups. And then they are hugely disappointed when they see pictures like the one below and we tell them that yes! that’s our Antarctica that Nadine is climbing on, while Elin is sitting in the Southern Ocean.
The kind of experiment everybody hopes to see could, according to Faller (1981), be classified as a simulation: representing the natural world in miniature, including every detail. Data from those experiments — since they would in theory be realistic representations of the real world — could be used to fill in missing data from the real world in regions that are hard to get real data from, like for example the Southern Ocean. However, since those experiments are designed to represent the complexity of the real world, interpretation of the experiments is as complex as it is to interpret data from the real world: There are so many processes involved that it is hard to isolate effects of individual processes.
The kind of experiments we are doing would be classified as abstractions. Faller describes this kind of experiment as similar to abstract art: Only the main features, or better: the artist’s interpretation of the main features, are reproduced and everything else is omitted. That makes the art difficult to understand for anyone who isn’t well versed in abstract art, but for the experts it is obvious what the point is.
In case of our experiments that means that we have all the relevant features, or better: our interpretation of what we believe to be relevant features, of Antarctica present in the tank: the parts of topography that we think have an influence on how the current should behave, i.e. a V-shaped canyon, a source that supplies water of the correct properties into the ambient “ocean” water, an ice shelf. And when that ice shelf is tilted, we feel like our experiments are already becoming pretty realistic!
These abstractions are the kinds of experiments in which you can, because they are relatively simple, develop new theories when new features of the circulation emerge that you then have to rationalize and include in your theories after the fact.
We have actually also done another type of experiment, a verification. I wrote about it in this post: we tilted the ice shelf because this is a case for which we actually knew from theory how our current should behave, in contrast to all the previous experiments where we didn’t actually know what to expect, and we were happy when we observed exactly what we expected based on theoretical considerations. So in this case the experiment wasn’t about discovering something new, but rather making sure that our understanding of theory and what goes on in the tank actually match.
Faller describes a last type of experiment: the extension. That is the kind of experiment that you could perform after a successful verification experiment: Pushing the boundaries of the theory. Does it still hold if the current introduced in the tank is very fast or very slow? If the water is very deep? If the slope of the ice shelf is very large or small? Basically, every parameter could now be changed until we know for which cases the theory holds, and for which it does not.
So why am I writing all of this today? Faller’s (1981) article, before he goes on to describe the framework to think about geophysical fluid dynamics experiments that I mentioned above and which I find quite helpful to consider, starts with the sentence “No one believes a theory, except the theorist. Everyone believes an experiment — except the experimenter.” On this blog, our goal is to bring the two together and not make anyone believe either of them, but to show how both can work together to mutual benefit.
Faller, A. J. (1981). The origin and development of laboratory models and analogues of the ocean circulation. Evolution of Physical Oceanography, 462-479.
For all our experiments here on the rotating platform in Grenoble, we have had a source, introducing an artificial current into our water-filled tank. With flow rates between 15 l/min and 60 l/min, and experiments running for about half an hour, that is a lot of water that has to come out of the source!
Below, you see a picture of the source during an experiment, and you see there is a pipe going into it, through which water is being supplied.
That water is coming from the very top of the rotating platform. There is a smaller tank up there which you see on the picture below. This is the tank where the particles which we use to visualize the flow field get added, and water in this tank needs to have the exact density we want our inflow to have. Not easy since it is sitting some 10 meters above the tank, where the air temperature is higher…
In fact, it’s an extremely complex system of tanks everywhere on and around the rotating platform. Below you see a picture of the screen through which most of them are operated:
There are three huuuuge water tanks in which water is prepared. You might have seen them rotating past in some of our videos, or you see them below (on the left you see the rotating tank). This picture doesn’t do them any justice: They are enormous. They are higher than the tank, and the mini tank on top of it, and the whole tent around all of it, and they start from the very bottom of the room (so not the level that seems to be the floor in the picture below).